Notable Californians: A Series (Part 3)

 JOHN WILLIAM "WILL" FERRELL

On to one of my favorite actors, Mr. Will Ferrell.  I didn't realize he was from Irvine until I was sitting in the chair getting some balayage done to my hair one day and laughing with my stylist about great Saturday Night Live skits.  

Will Ferrell was born July 16, 1967 in Irvine, California, to Betty Kay (née Overman) a teacher who taught at Old Mill School elementary school and Santa Ana College and Roy Lee Ferrell Jr. who played saxophone and keyboards for the Righteous Brothers. His parents were both natives of Roanoke Rapids, North Carolina. They moved to California in 1964. Ferrell's ancestry includes English, German, and Irish.  As an infant Ferrell suffered from pyloric stenosis (a thickening or swelling of the pylorus — the muscle between the stomach and the intestines — that causes severe and forceful vomiting in the first few months of life) and had a pyloromyotomy to correct the condition. He has a younger brother, Patrick.  

When he was eight years old, his parents divorced. Ferrell said of the divorce: "I was the type of kid who would say, 'Hey, look at the bright side! We'll have two Christmases'." The divorce was amicable, and both parents were committed to their children. The biggest problem was his father's line of work. As a person in show business, his paychecks were never steady, and he traveled from home for months at a time. Growing up in this environment made Ferrell not want to go into show business and instead have a steady job.

Will first attended school at Culverdale Elementary and later attended Rancho San Joaquin Middle School, both in Irvine. He attended University High School in Irvine, and was a kicker for the school's varsity football team.  He was also on the soccer team and captain of the basketball team, as well as serving on the student council. Ferrell called third grade "a pivotal year." He realized he could make his classmates laugh if he pretended to smash his head against the wall, or if he tripped and fell on purpose, and said it was a great way to make friends. He said the dullness of Irvine contributed to the growth of his humor:

Growing up in suburbia, in safe, master-planned Irvine, there was no drama so we had to create it in our heads. My main form of entertainment was cracking my friends up and exploring new ways of being funny. I didn't have to have the survival mode instinct like other comics, who grew up in tough neighborhoods. I had the opposite. For me, I grew up in Mayberry, and the humor broke the boredom. And there was a lot to make fun of.

In his senior year of high school, Ferrell and a friend would perform comedy skits over the school's intercom system, with cooperation from the principal; the two had to write their own material. Ferrell also performed comedic skits in the school's talent shows. He was voted "Best Personality" by his classmates.  He enrolled at the University of Southern California, where he studied sports broadcasting and joined the Delta Tau Delta fraternity. In college, he was known for a few pranks. On occasion, he would dress in a janitor's outfit and stroll into his friends' classes. He was also known for streaking around campus with a few other people from the Delta Tau Delta fraternity.  Ferrell earned an internship at a local television station in the sports department, but he did not enjoy the work.

After graduating with a B.A. degree in sports information in 1990, he knew he did not want to do broadcasting. He took up a job as a hotel valet where, on his second day, he tore a baggage rack off the top of a van by trying to drive it under a low beam. He also worked as a teller at Wells Fargo, but came up short $300 the first day and $280 the second; he was not stealing the money, but was just careless and error-prone. In 1991, encouraged by his mother to pursue something he liked, Ferrell moved to Los Angeles. He successfully auditioned for the comedy group The Groundlings where he spent time developing his improvisation skills.

He first established himself in the mid-1990s as a cast member on the NBC sketch comedy show Saturday Night Live, where he performed from 1995 to 2002, and has subsequently starred in comedy films such as Elf (2003), Anchorman: The Legend of Ron Burgundy (2004) Kicking & Screaming (2005), Talladega Nights: The Ballad of Ricky Bobby (2006), Semi-Pro (2008), and Land of the Lost (2009). He founded the comedy website Funny or Die in 2007 with his writing partner Adam McKay. Other notable film roles include The Other Guys (2010), The Campaign (2012), Get Hard (2015), Holmes & Watson (2018), and the animated films Curious George (2006) and Megamind (2010).

Ferrell is considered a member of the "Frat Pack", a generation of leading Hollywood comic actors who emerged in the late 1990s and the 2000s, including Jack Black, Ben Stiller, Steve Carell, Vince Vaughn, Paul Rudd, and brothers Owen and Luke Wilson. He received an Emmy Award nomination for his work on Saturday Night Live, and three Golden Globe Award nominations for acting in The Producers (2005) and Stranger than Fiction (2006) and for producing Vice (2018). He was also named the best comedian of 2015 in the British GQ Men of the Year awards. Ferrell received a star on the Hollywood Walk of Fame on March 24, 2015.

One of my favorite Will Ferrell skits, The Spartan Cheerleaders with Cheri Oteri, first aired November 11, 1995.  Although Craig and Arianna didn't make the East Lake High School Spartan cheer squad, they decided to cheer on the sidelines anyway showing up at various school events.  Their  school spirit and enthusiasm was infectious.   

Brothers Doug and Steve Butabi (Chris Kattan and Will Ferrell respectively) were habitual clubbers dressed in bad rayon suits who attempted to pick up women on their outings. Their trademark was bobbing their heads in unison to the song "What Is Love" by Haddaway, which always played throughout the duration of each sketch. The brothers were extremely unfortunate with the women at the clubs, often gyrating against them in an attempt to get them to dance, but always causing a negative reaction. They were frequently joined by a third person, often the host, who dressed and acted in a similar fashion (notably Tom Hanks, Jim Carrey, Sylvester Stallone, Martin Short, and Alec Baldwin); this character was usually credited as "Barhop". Skits starring Pamela Anderson and Cameron Diaz were also featured. The sketch spawned the 1998 film A Night at the Roxbury.  The Roxbury Guys premiered on March 23, 1996.  

SNL is famous for its presidential (an presidential hopefuls!) impersonations.  One of my favorites is Will's version of GW Bush.  Ferrel perfectly balances the former president's attempt at formality and seriousness while coming off goofy and loveable.   

One of the best Christmas movies ever made.  Hands down.  

"More Cowbell" is a comedy sketch that aired on Saturday Night Live on April 8, 2000. The sketch, which fictionalizes the recording of the song "(Don't Fear) The Reaper" by Blue Öyster Cult, features guest host Christopher Walken as music producer Bruce Dickinson and cast member Ferrell, who wrote the sketch with playwright Donnell Campbell, as fictional cowbell player Gene Frenkle, whose overzealous playing annoys his bandmates but pleases producer Dickinson. The sketch also starred Chris Parnell as Eric Bloom, Jimmy Fallon as Bobby Rondinelli, Chris Kattan as Buck Dharma and Horatio Sanz as Joe Bouchard.

An episode of VH1's Behind the Music documenting the band Blue Öyster Cult showcases footage of the group from a 1976 recording session that produced the band's biggest hit, "(Don't Fear) The Reaper". The producer (played by Christopher Walken) introduces himself as "The Bruce Dickinson" and tells the band they have "what appears to be a dynamite sound". The first take seems to go well but the band stops playing because the cowbell part is rather loud and distracting. Dickinson, to the surprise of most of the band, asks for "a little more cowbell" and suggests that the cowbell player, Gene Frenkle (Will Ferrell), "really explore the studio space this time". Frenkle's exuberance in following this advice causes him to bump into his bandmates as he dances around the cramped studio, thrusting his pelvis wildly in all directions, and the band aborts another take.

Frenkle sheepishly agrees to tone down his performance in the spirit of cooperation. He passive-aggressively plays the cowbell very close to Eric Bloom (Chris Parnell)'s ear and fails to keep time with the rest of the band. The rest of the band expresses frustration with Frenkle, but Dickinson remains focused only on getting more cowbell onto the track. Frenkle makes an impromptu speech to the rest of the band, declaring that Dickinson's stature lends a great deal of weight to his opinion about the cowbell part and that the last time he (Frenkle) checked, they didn't have "a whole lot of songs that feature the cowbell" and therefore he would be "doing himself a disservice, and every member of the band" if he "didn't perform the hell out of this". In the end, the band agrees to let Frenkle play the cowbell part his way. The sketch ends with a freeze frame on Frenkle with the superimposed message: "In Memoriam: Gene Frenkle: 1950–2000."

Will Ferrell's idea for the sketch came from hearing "(Don't Fear) The Reaper" over the years: "Every time I heard [the song], I would hear the faint cowbell in the background and wonder, 'What is that guy's life like?' He co-wrote the sketch with friend and playwright Donnell Campbell. Ferrell first submitted it for the episode with Norm Macdonald as host, which aired on October 23, 1999. SNL creator and executive producer Lorne Michaels was unsure about the premise, though the sketch played well among crew at the table read. According to Seth Meyers, who served as head writer several seasons later, the sketch was submitted over seven times before making the show. Ferrell re-wrote the sketch when Christopher Walken was scheduled to host to fit the actor's rhythm.

The actors who appeared in the sketch had trouble keeping straight faces. They found Ferrell's acting, along with Walken's stone-faced performance, so funny that they were all on the verge of corpsing (breaking character) and ruining the sketch several times. On "Take Two", Walken can be seen through the booth glass, laughing, as Ferrell's too-tight shirt rides up, exposing Ferrell's stomach while he is dancing and playing the cowbell. Even Ferrell at one point can be seen laughing for a moment soon after Jimmy Fallon laughs for the first time in the sketch. According to Ferrell and Michaels, the sketch did not do well in dress rehearsals, and Ferrell had the idea of performing in a smaller shirt in the live sketch. According to Fallon, Ferrell's tighter shirt made him unable to stop laughing, and had to bite his drumsticks to avoid breaking the scene.

"More Cowbell" is often considered one of the greatest SNL sketches ever made, and in many "best of" lists regarding SNL sketches, it is often placed in the top ten, being ranked number nine by Rolling Stone.  As a result of its popularity, "more cowbell" became an American pop culture catchphrase and has even entered the dictionary.